Skyping Terry Hall the Film Director
I skyped a man named Terry to ask questions on how we are going to accomplish certian difficulties we faced within our movie. So I asked him my questions:
- How to I set up my two sets of sequences identically?
Well, I think unless you have monitors and are able to layer it perfectly, your very limited in idenitically matching but a better more effective look would be Match on Action. This is an idea I will encorperate into my dancing scene. Plus he said the match of sounds at the end is better not to happen, but to build up the drop and then have the clap as a seperate sound on the end to and a sense of realism to the scene.
- How to make social realism look real and not stages?
Film the mistakes, the rough cuts. Film what the natural is, as usually you find there is great stuff in there, making the movie seem less staged. Like for exmaple if shes practing her dancing, film her practices as this will then lead on to show how her past empowers her dance routine.
- How to I set up my two sets of sequences identically?
Well, I think unless you have monitors and are able to layer it perfectly, your very limited in idenitically matching but a better more effective look would be Match on Action. This is an idea I will encorperate into my dancing scene. Plus he said the match of sounds at the end is better not to happen, but to build up the drop and then have the clap as a seperate sound on the end to and a sense of realism to the scene.
- How to make social realism look real and not stages?
Film the mistakes, the rough cuts. Film what the natural is, as usually you find there is great stuff in there, making the movie seem less staged. Like for exmaple if shes practing her dancing, film her practices as this will then lead on to show how her past empowers her dance routine.
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